My schedule is changing, so I won't be free to lunch at one of my favorite restaurants. It's not a special place, just a chain restaurant that serves guy food. But I've been served by the same waitress there for almost ten years.
Today I went by for lunch mostly to say goodbye to her.
Now, I've been a bartender, and like most people who have been in food service, I tip well. And, when I could easily get two-dollar bills from my bank, I used to tip with them. It was just a way to be remembered. "That's the guy who tips in deuces: he's a good tipper, let me take care of him."
(My bank has changed owners twice, and the new bank doesn't carry twos anymore, not even back in the vault.)
That waitress told me a touching story about her late son. He died a few years ago at the age of 23 - a car accident I think, although I didn't want to pry. She'd already told me that she gave my two-dollar bill tips to him.
Today she said that she was going through his things, and found a big atlas. She opened it, and discovered every two-dollar bill I'd given her inside the atlas! Page after page with four two-dollar bills, pressed like flowers.
Understand - I'd never met her son. I barely know this waitress. We talked a little each time I came by. I don't even know her last name.
It was touching, nonetheless.
But I'm a writer. And we're ghouls, using the pain of others in our stories.
So here's my question: would it be churlish to use that story in a work of fiction?
Friday, January 10, 2014
Sunday, January 5, 2014
Virtual Panel Discussion with Five Authors from The Story Shack
The Story Shack
is an online magazine the presents a new work of flash fiction every
day. This is an interview with five authors whose work appeared in The
Story Shack. It has been edited for length.
Let's
start with a quick, easy question: How long have you been writing?
Francesca
Burke:
I
guess since I learnt to read and write, which is so pretentious! Part
of me wishes I picked up a pen yesterday.... I just didn't really
notice that I enjoyed it until I was twelve or so. I've been doing my
blog since I was fourteen.
Tony
Conaway:
I started selling nonfiction in 1990, but it's only since around
2010 that I've gotten my fiction published regularly. Does that make
me a new writer?
Ben
Dodge:
Since
I was little, really. I did the odd short story in elementary
school, an occasional fragment of a play or some such, but I never
started writing seriously until halfway through high school, when I
met a number of supremely talented friends from out of town. They've
been an inspiration to me, and I haven't stopped writing seriously
since I met them.
Peter
McMillan:
I have been writing flash fiction since 2007.
Anna
Peerbolt:
It depends on the genre. I made my living for about 20 years as a
journalist (magazines and newspapers). As for fiction, like many
writers I was dabbling in it by high school and continued to dabble
until about ten years ago when I got serious. I started out with
short stories and passed on to flash, though I still do a longer
story now and then. So, the short answer is 30 years, give or take.
Who
is your favorite author, the one whose writing inspires you or the
one you'd like to write like?
Ben
Dodge:
My
answer's different for all three. My favorite author of all time
would be Orson Scott Card or Neal Stephenson.
The
author who inspires me the most would be Dan Abnett, Hilary Mantel,
Tony Burgess, or Chuck Wendig--their collective ability to
world-build and create narratives that fit their characters to a tee
is flawless and beautiful.
If
I could write like any author I know of, my style would be an
eclectic combination of S.M. Stirling, Hunter S. Thompson, and Brent
Weeks. With an undercurrent of the ethical concerns and dialogue
that Orson Scott Card weaves into his work.
Francesca
Burke: My
favourite author is usually the one whose work I'm currently reading,
so at the moment it's Jane Austen. In the past few months it's been
Rick Riordan and Khaled Housseini, as well as Lionel Shriver, JD
Salinger and Sylvia Plath for school. If I could write like all those
people I'd be the knitted jumper of the book world, it'd be great.
Peter
McMillan:
Jorge Luis Borges.
Tony Conaway: Michael Chabon.
Anna
Peerbolt:
That is actually a tough question to answer. I’m a huge mystery
story fan with Robert Parker and Dorothy Sayers being the best in my
book. There are many other writers I admire, among them: Ursula K
LeGuin, Charles Dickens, Anne Patchett, Martin Cruz Smith, and Ian
McEwan.
Have
you been published before? If so, where?
Francesca
Burke:
I was published in Story Shack in 2012 and an article I wrote for my
school magazine was included in a book about the school this year.
Tony
Conaway:
Some recent stories of mine have appeared in the online magazine Smashed Cat and in the anthology Unclaimed Baggage.
Peter
McMillan:
I have published two collections of my reprinted stories.
Anna
Peerbolt:
My
bio names some online zines where I have been published plus stories
coming out soon in The
Boston Literary Journal, Right Hand Pointing,
and Burning
Wood.
Ben
Dodge: I've been
published four times in Story
Shack. In
order of publication, Drive,
Inked, The Last Song,
and Bury Your Soul Six Feet Under.
Other than that, I've published a few of my pieces online--I've
been a member of deviantArt's community for almost two years now. If
you're interested in looking me up, go to my deviantArt page.
What
genre is your story in Story
Shack?
Can you tell us a little about the origin of the story?
Tony
Conaway: It's humor. I was fortunate to have a bookstore that
allowed my writer friends and I to read our work. Lachrymosa
is a piece I wrote specifically to read (and get laughs) at that
venue.
Francesca
Burke:
My
story is called Season's Greetings.
It's a Christmassy piece first set at Halloween. It was inspired by
some people's insistence that festivals like Christmas should be all
about Jesus, even though they don't go to church the rest of the
year, as well as by those people who are just really
into some
holidays. Thalia was inspired by Thalia Grace from Rick Riordan's
novels.
Anna
Peerbolt:
The Magical Night
is literary/magic realism. I wrote it in response to a prompt offered
in the Flash Factory, which is part of the online Zoethrope Virtual
Studio.
Ben
Dodge:
The Last Song
is a suspense story. I remember that I'd been swamped with a lot of
work, and I hadn't written a short story in months. I was
frustrated, it was late, and I ended up going to the BBC's website.
This was after Hurricane Sandy hit New York City. I saw the
photographs being taken of the storm, and realized that I'd run to
the end of my CD. I put the two together--if you had to go out, what
would be the last song you'd listen to. Would it matter? I grabbed
a pen, and this story happened.
Finally, some
writers are willing to talk about their works-in-progress, some
aren't. Would you like to tell us, briefly, about what you're
working on now?
Francesca
Burke:
An
essay for a school project whose title I can't actually remember and
some future blog pieces and projects. I've always got sketches for
stories and characters too, but it's anyone's guess what will get
published (though I sincerely hope it won't be the essay).
Ben
Dodge:
My
chief project right now is a post-apocalyptic novel called Pit
Stop.
Peter
McMillan:
The topics for my flash fiction just happen, so I can't go beyond
saying that I'm working towards a third collection of reprinted
stories.
Anna
Peerbolt:
I’ve
got a short story titled “Cops and Lenny” that is about a small
town petty thief and the trouble he gets into. It’s a love story
doused with humor. I’m also rewriting a number of flash pieces that
have shown promise.
Francesca
Burke's blog is at http://www.indifferentignorance.com
Ben
Dodge has several links:
dA
page:
http://dodgingthebeat.deviantart.com/
Blog:
http://www.dodgingthebeat.blogspot.ca/
Tumblr:
http://bendodge.tumblr.com/
Tony Conaway's blog is at http://wayneaconaway.blogspot.com/
And
that's all we have room for in this post. Take a look at our fiction
on The
Story Shack,
and please leave a comment on that site!
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